Triptychon

Originally intended as a four-room media installation, allowing the viewer to "live" the film, come and go, Michael Pilz's essay about South Styrian painter Gerald Brettschuh was adapted to one 751 minutes sequential documentary with three parts and an epilogue. Part 1: The Use of Bodies, Part 2: As-If-Not, Part 3: The Party, Epilogue: Coda

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